This is a new Sandwell secondary that has made its identity very clear from day one, music sits at the centre of the curriculum and school culture, backed by a formal partnership with the City of Birmingham Symphony Orchestra. The Academy opened to Year 7 in September 2023 and is still building its track record, which matters for families who prefer schools with established exam results and inspection history.
Leadership is a strong early differentiator. The founding Principal is David Green, who took up the role when the school opened and has a long prior track record within Shireland Collegiate Academy Trust.
For parents, the headline question is fit. If your child thrives on structured routines, enjoys performing, composing, or simply being around music daily, this model can feel motivating. If music would be a daily burden rather than a joy, the Academy’s distinctive focus may not be the best match.
The Academy’s stated ethos is explicit about challenge and support, coupled with high expectations of conduct and commitment. That is not unusual for a new school, but the musical emphasis is. The partnership is not presented as a bolt-on, it is part of how the school describes pupil development, including qualities such as self-discipline and collaboration.
Staffing signals the same direction. The leadership team includes a Director of Music, David Harris, described as the founding Director of Music, alongside senior leaders with responsibility for literacy and inclusion. For parents, that matters because it suggests music is resourced at leadership level rather than treated as an enrichment extra.
As a new school, the external accountability picture is still forming. Ofsted’s official inspection page for the Academy states there is no report yet. The Academy also states it has not yet received an Ofsted inspection since opening. Families should treat any claims about inspection outcomes as provisional until the first published report appears.
There is not yet a published, school-specific outcomes story to lean on in the way there is for established secondaries. provided, GCSE and A level metrics are not available, and the Academy’s FindMySchool ranking fields show it is not currently ranked for these measures. That is consistent with a school that is still early in its life cycle and has not yet reached the point where full headline results are routinely available for comparison.
What can be assessed now is intent and structure. The Academy states it delivers the full National Curriculum, and it frames music as a driver of wider learning rather than a replacement for academic breadth. The practical question for parents is whether the integration of music complements learning for your child, or distracts them.
The curriculum positioning is “broad, full National Curriculum, with a music specialism”. In practice, this shows up in the way music is described as both rigorous and cumulative, with planned progression through Key Stage 3 foundations, Key Stage 4 GCSE Music, and post 16 options that include A level Music and a BTEC Level 3 Extended Certificate in Sound Engineering.
The detail here is useful for sixth form families. Sound Engineering is not a generic “creative” label, it is described through industry-relevant practice such as recording, editing, and producing in studio and live contexts, including work with digital audio workstations. That sort of technical pathway can suit students who want a music-adjacent progression route without relying solely on performance.
A final teaching and learning point that parents often underestimate is vocabulary and literacy. The Academy leadership team explicitly includes roles focused on literacy and English, and the wider sixth form offer is framed around technology access and structured study spaces. Those are sensible foundations for a new school trying to build consistency quickly.
This is still an emerging story. The Academy serves ages 11 to 19 and is building its sixth form pipeline, with September 2026 entry applications routed through an online platform, and a staged process that includes consultation evenings and conditional offers.
For parents of younger pupils, the immediate “destination” question is usually about pathways inside the school rather than university outcomes. The practical implication is stability: students who join early are likely to experience a school that evolves year by year, with a growing subject offer, expanding enrichment, and systems that mature as cohorts move up the school.
For sixth form applicants, the partnership model is marketed as opening up industry-facing opportunities, including masterclasses and performance spaces. The Academy explicitly references facilities such as an on-site auditorium, rehearsal spaces, and a recording studio as part of its sixth form offer.
Year 7 entry for September 2026 is coordinated through the Local Authority route, with key dates set out clearly. The Academy also offers a defined music aptitude route with a limited number of places, and with its own deadline that sits ahead of the main application deadline.
A distinctive admissions feature is the nodal point approach described for Sandwell. The Academy explains that, where oversubscribed, it considers proximity to a local nodal point in each of Sandwell’s six towns rather than purely distance from the school site. For families, the implication is that “living closest to the school” is not necessarily the whole story, you need to understand how your nearest node is defined and how travel would work day to day.
If you are shortlisting, FindMySchool’s Map Search is the quickest way to sanity-check your practical position relative to key local geography and typical travel routes, before you invest time in open events and application paperwork.
Applications
245
Total received
Places Offered
116
Subscription Rate
2.1x
Apps per place
The Academy describes strong pastoral care as part of the package that supports high expectations, and its published leadership roles include a Designated Safeguarding Lead and an Assistant Principal who is also SENCO. For parents, that matters because early years of a new school can be operationally demanding, clarity on safeguarding leadership and inclusion responsibility is a basic indicator of readiness.
What is harder to evidence from public material, at this stage, is impact. Without a published inspection report and with limited cohorts so far, families should use open events and conversations to test how the school handles behaviour routines, attendance, SEND identification, and escalation pathways when issues arise.
Music is not framed as “one club among many”, it is positioned as a whole-school feature, including instrument learning through peripatetic teaching and the expectation that students build both performance and composition experience over time. The admissions pages also make clear that all students are expected to commit to music as part of daily school life, with a smaller music aptitude cohort expected to act as ambassadors.
On the sport and activity side, the Academy highlights brand-new, purpose-built facilities including a sports hall, an activity studio, changing rooms, and an outdoor multi-use games area. It also states students are escorted by staff when walking between the main building and the Providence Place sports spaces, which will matter for families thinking about safety and supervision in an urban setting.
A practical cultural marker is that the school keeps returning to “normal secondary school, full National Curriculum, plus specialism”. That usually translates, over time, into a cohort where music is normalised rather than niche, and where students who arrive without prior lessons are not treated as outsiders.
The school day timings published for Year 7 and Year 12 run from form time at 8.45am to registration ending at 3.25pm, with five lessons and structured break and lunch. The Academy also publishes total compulsory time as 33 hours 20 minutes per week.
Transport planning is unusually detailed because the nodal approach matters. The Academy lists example public transport routes from each nodal point, including National Express West Midlands services (such as 79, 48, 48A, 54, 80, 42, 43) and Diamond Bus 4H, with approximate travel times. For many families, that makes the commute question clearer early.
Wraparound care is not typically a feature of secondaries, and specific breakfast or after-school care arrangements are not prominently published in the core pages reviewed. Families who need supervised early drop-off or late pick-up should confirm current arrangements directly at open events.
New school realities. With the Academy opening in September 2023 and Ofsted showing no published report yet, parents are choosing based on vision, leadership and early delivery, rather than a long, independently verified track record.
Music is the point. The admissions information is explicit that all students are expected to commit to music, and the music aptitude route expects pupils to act as leaders and ambassadors. This suits many, but it is not a neutral detail.
Admissions mechanics are specific. The nodal point model means you need to understand local geography and the definition of your nearest node, not just a straight-line distance to the school.
Multi-site movement. Sport facilities are described as a short walk from the main building, with escorted movement. Some families will welcome the structure, others may prefer a single-site layout.
Shireland CBSO Academy is a bold, specialist-feeling state secondary that is still building its external record. The combination of a founding leadership team, a clear curriculum story, and a professional-orchestra partnership gives it genuine differentiation in the local market. Best suited to students who will enjoy being immersed in music as a normal part of school life, and to families comfortable backing a newer school before it has a published inspection report and established public results history.
It is a promising new school with a very clear educational model and a specialist partnership with the City of Birmingham Symphony Orchestra. Because it opened in September 2023 and Ofsted currently shows no published inspection report for the Academy, families should weigh leadership, curriculum intent, routines, and early delivery rather than relying on long-running external evidence.
Year 7 applications are made through your Local Authority. The Academy publishes key dates including open events in September 2025, a music aptitude deadline in early October 2025, and the main application deadline at the end of October 2025.
The Academy offers a limited number of Year 7 places for pupils described as exceptionally talented in music. The process includes an application by Thursday 2 October 2025, shortlisting, and live performance plus interview in mid October 2025, with outcomes confirmed before the Local Authority application deadline.
Where the Academy is oversubscribed, it describes a system of nodal points across Sandwell’s six towns, assessing how close pupils live to their nearest node rather than only how far they live from the school. The Academy also publishes example public transport routes from each nodal point to help families plan realistic travel.
The published structure shows form time starting at 8.45am and a 3.25pm end time after registration, with five lessons plus break and lunch. Total compulsory time is stated as 33 hours 20 minutes per week.
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